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Franklin Morris Howarth

  Franklin Morris Howarth (1864–1908) was an American cartoonist and pioneering comic strip artist. Howarth was born in Philadelphia on September 27, 1864. He was the oldest of four children of William and Sarah (Iseminger) Howarth. His father was a pattern maker and an English immigrant, his mother a native Philadelphian. Howarth attended Central High School. By age 19 Howarth was drawing for the Philadelphia Call and other papers, after which he began to be employed by national periodicals such as Munsey's Magazine, Life, Judge, and Truth. He joined the staff of Puck in 1891, and moved to the New York World in 1901. Howarth, whose style for figures frequently featured big heads on little bodies, was among the first generation of cartoonists to create serial cartoons, which came to be called comic strips. According to author Jared Gardner, "F. M Howarth's work is representative of the development of sequential graphic narrative during this period... Howarth fractured ...

Henri Fournier

  Henri Fournier (Le Mans, 14 April 1871 - Paris, 18 December 1919) was a French racing driver. Fournier began his career on motorcycles and tricycles. In 1901 he came to the Mors stable and was the most successful driver of that year, winning both Paris-Bordeaux and Paris-Berlin. In addition to his racing career, he performed well in speed tests and set a new record for the mile in his car in the United States. At the 1902 Paris-Vienna he also dominated the first stage with an average speed of 114 km/h, but later had to give up due to a transmission failure. In the autumn of that year, he set the then land speed record at 123 km/h.

Georges de Feure

  Georges de Feure (real name Georges Joseph van Sluijters, 6 September 1868 – 26 November 1943) was a French painter, theatrical designer, and industrial art designer in the symbolism and Art Nouveau styles. De Feure was born in Paris. His father was an affluent Dutch architect, and his mother was Belgian. De Feure had two sons, Jean Corneille and Pierre Louis, in the early 1890s with his mistress Pauline Domec and a daughter with his first wife Marguerite Guibert (married 7 July 1897). In 1886, de Feure was one of the eleven students admitted at the Rijkscademie voor Beeldende Kunsten in Amsterdam, which he did however leave very quickly for Paris since he felt that formal academic training had nothing to offer him. Being of very independent nature, de Feure never again took up formal artistic studies, and forged his own independent path. He was however influenced by Jules Chéret in his posters for the café concert but most likely was never his pupil and became the key designe...