Illustrationintheworld

  He was born in Michelstadt-im-Odenwald, then in the Grand Duchy of Hesse of the German Empire. In his early years, he studied under Rudolf Koch at Offenbach School of Art and Design, and developed skills in woodcuts. In 1920, he began studying at the Kunstgewerbeschule in Offenbach am Main. Koch and Kredel collaborated on A Book of Signs (1923) and The Book of Flowers (1930). Following Koch's death in 1934, Kredel moved to Frankfurt, but in 1938, he fled Germany for political reasons with help from Melbert Cary.

  Heinrich Vogeler (December 12, 1872 – June 14, 1942) was a German painter, designer, and architect, associated with the Düsseldorf school of painting. He was born in Bremen, and studied at the Kunstakademie Düsseldorf from 1890–95. His artistic studies during this period included visits to Belgium and Italy. Vogeler was a central member of the original artist colony in Worpswede, which he joined in 1894. In 1895 Vogeler bought a cottage there and planted many birch trees around it, which gave the house its new name: Barkenhoff (Low German for Birkenhof, or "birch tree cottages"). In 1901, he married Martha Schröder. He made book illustrations in an art nouveau style, and executed decorative paintings for the town hall of Bremen shortly before traveling to Ceylon in 1906. During a trip to Łódź, he studied Maxim Gorky's works, which resulted in the development of a deep sympathy for the working class. This feeling reached further heights when he saw life in the slums ...

  Matsukichi is a Japanese artist born in 1960. Matsukichi's first verified exhibition was Art Cologne 1994 at Koelnmesse GmbH in Cologne in 1994, and the most recent exhibition was Matsukichi at Gallery HAM in Nagoya in 2014. Matsukichi is most frequently exhibited in Japan, but also had exhibitions in Germany. Matsukichi has at least two solo shows but no group shows over the last 20 years (for more information, see biography). Matsukichi has also been in no less than one art fair but in no biennials. A notable show was Matsukichi - Monologue at Gallery HAM in Nagoya in 2008. Matsukichi has been exhibited with Günter Umberg and Adrian Schiess. Matsukichi is ranked among the Top 1,000,000 globally. Matsukichi's best rank was in 1994, with the most dramatic change in 2008.

  Ferdinand-Sigismond Bach, known as Ferdinand Bac, (15 August 1859, Stuttgart, Germany - 18 November 1952, Compiegne, France) was a German-French cartoonist, artist and writer, son of an illegitimate nephew of the Emperor Napoleon. As a young man, he mixed in the fashionable world of Paris of the Belle Époque, and was known for his caricatures, which appeared in popular journals. He also traveled widely in Europe and the Mediterranean. In his fifties, he began a career as a landscape gardener. The gardens that he created at Les Colombières in Menton on the French Riviera are now designated as a Monument Historique. He also wrote voluminously about social, historical and political subjects, but his work has been largely forgotten.

  Hermann Vogel (16 October 1854 – 22 February 1921) was a German illustrator. Vogel was born in Plauen, Kingdom of Saxony, as the son of a master builder. From 1874–75 he studied at the art academy of Dresden. Vogel worked for the publishing company Braun & Schneider and was a founding member of the Deutsche Kunstgesellschaft (German art association) and contributed to Julius Lohmeyer's journal Die deutsche Jugend and the weekly periodical Fliegende Blätter. Vogel early followed the Nazarene movement, while his later material was in the Biedermeier style. Illustrations by Vogel appeared in an 1881 publication of Auserwählte Märchen by Hans Christian Andersen, in an 1887 publication of Volksmärchen der Deutschen by Johann Karl August Musäus, and in 1891 in Die Nibelungen by Gustav Schalk. From 1896–99 Vogel's works were collected into two volumes. Volumes 3 and 4 appeared in 1903 and 1908, respectively. He illustrated an edition of Bluebeard in 1887, The Juniper Tree in...

  Heinrich Kley (15 April 1863 in Karlsruhe – 1945 in Munich) was a German illustrator, editorial illustrator and painter. Kley studied "practical arts" at the Karlsruhe Akademie and finished his studies in Munich. His early works were conventional portraits, landscapes, still lifes, city scenes and historical paintings. From about 1892 he won a reputation as an "industry artist", painting manufacturing scenes in oils and watercolors. They proved his deep understanding of the modern machine world. Kley attained greater notoriety with his sometimes darkly humorous pen drawings, published in Jugend and the notorious Simplicissimus. A collection of Kley's two published sketchbooks was sold under the title Sammelalbum alter und neuer Zeichnungen (Album of Old and New Drawings) which was banned under the Nazi regime.

  She’s a freelance illustrator from Germany ( Leipzig ) and s he creates imaginative illustrations and enjoys to tell stories in her work. She’s a digital artist, c reator of books, covers, posters, visuals for game boxes, she touches on everything! But her style is mainly inspired by mythology and fantasy, universes that she likes to explore for our greatest pleasure.

 The earliest example of his illustration is from a 1919 edition of the satirical magazine Meggendorfer Bl ätter, he would have been 31 years old, so it's sure that there are earlier works, but there's no evidence of them. Probably he was employed by the magazine as a staff artist. He had a different range of styles and techniques used all with technical and creative success .

  He made his debut in the magazines   (À suivre) ,   Le Journal de Tintin   and   Heavy Metal . In 2001 he won de   Prix Bonnet d’âne   [1]   at the comic festival   Quai des Bulles   in   Saint-Malo   (France) for his entire oeuvre. This includes that he may draw the poster for the next festival. His genre series include Arq, Cromwell Stone, Cyrrus,  Rork  and its spin-off, Capricorne, as well as a number of single works such as La Caverne du Souvenir (The Cave of Memory), Coutoo, Dérives (Adrift), Aztèques, and Révélations Posthumes (Posthumous Revelations). [2]

Joseph Christian Leyendecker  (March 23, 1874 – July 25, 1951) was a German-American illustrator. He is considered to be one of the preeminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, the trade character known as  The Arrow Collar Man , and his numerous covers for  The Saturday Evening Post . [1] [2]  Between 1896 and 1950, Leyendecker painted more than 400 magazine covers. During the Golden Age of American Illustration, for  The Saturday Evening Post  alone, J. C. Leyendecker produced 322 covers, as well as many advertisement illustrations for its interior pages. No other artist, until the arrival of  Norman Rockwell  two decades later, was so solidly identified with one publication. [3]  Leyendecker "virtually invented the whole idea of modern magazine design." [4]