Illustrationintheworld

  He was born in Michelstadt-im-Odenwald, then in the Grand Duchy of Hesse of the German Empire. In his early years, he studied under Rudolf Koch at Offenbach School of Art and Design, and developed skills in woodcuts. In 1920, he began studying at the Kunstgewerbeschule in Offenbach am Main. Koch and Kredel collaborated on A Book of Signs (1923) and The Book of Flowers (1930). Following Koch's death in 1934, Kredel moved to Frankfurt, but in 1938, he fled Germany for political reasons with help from Melbert Cary.

  Born in Kiev in 1897, Nathalie Parain studied at the Vkhutemas in Moscow. In the 1920s she moved to Paris with her husband, the philosopher Brice Parain. Inspired by constructivist theories, poster design and education, she started dedicating herself to illustration for children. In 1930 he illustrated Mon chat (My cat) written by André Beucler and published by Gallimard. Then she met the publisher and pedagogue Paul Faucher who offered her to illustrate for Les albums du Père Castor. Today Nathalie Parain is considered one of the major artists. It still has a great influence on contemporary children's picture books. It is the first definitive monograph on Nathalie Parain. It brings together illustrations, excerpts from books and unpublished material. Interviews with her daughter and texts written by children's literature experts offer insightful perspectives on her work.

 7th Count of Casa Dávalos (Catalan pronunciation: [ələkˈsandɾə ðə riˈke]) (Born 3 May 1856 - 13 November 1920), was a versatile artist intellectual and Catalan designer, illustrator, painter, engraver, writer and poet. He was one of the leading figures of Modernisme in Catalonia. He belonged to an aristocratic family, the Counts of Casa Dávalos. His father, Martí de Riquer, Marquis of Benavent, was a senior leader of the Carlist of Catalonia, while his mother, Elisea Ynglada, belonged to a family of intellectuals and artists (including writers such as Joseph and Wifred Coroleu and painter Ricard Modest Urgell). He entered the world of publishing through the guidance of his friend, writer and illustrator Apel-les Mestres. "In 1876, Riquer took over some of his work on ornamental lettering and cover illustration," which led to a collaborative publishing work which brought great impact on Riquer's creative activity. [3]  By 1879, he is becoming known in the art world. The d...

  I was born in the UK in 1993. I spent the first few years of my early childhood living in Brunei, Borneo, something that I am sure had a major effect on me. The totally different environment gave me the intuition early on that there is no true ‘normal’. In hindsight I have always been interested in anything that helps to transform my perception of the mundane. From mathematics, physics, philosophy, art, I always wanted to see the world around me as if for the first time. I have always felt a sense of the sublime, terrifying, awe inspiring strangeness of being. https://www.milesjohnstonart.com/

 Baumer quickly found favour as an illustrator with several magazines, his first commission was for the Pall Mall magazine in 1893 and soon his pen and ink illustrations also began to appear in others such as the Bystander and the Sketch. He also had some early success with children's book, including his own story Jumbles in 1897. His longest collaboration was with Punch.  In his cartoon work Baumer was essentially a social humorist.

 The earliest example of his illustration is from a 1919 edition of the satirical magazine Meggendorfer Bl ätter, he would have been 31 years old, so it's sure that there are earlier works, but there's no evidence of them. Probably he was employed by the magazine as a staff artist. He had a different range of styles and techniques used all with technical and creative success .

  Simon Palmer was born in Yorkshire in 1956 and was brought up in Bromley where his family moved when he was eight months old. He graduated from Reigate Art School in 1977. In the Easter of 1976 he travelled from the south of England with friends to spend a few days in Lastingham, North Yorkshire. It was then that he fell in love with the landscape that has been his inspiration ever since. For the past 40 years he has lived and worked in Wensleydale, North Yorkshire.

  Doré was born in  Strasbourg  on 6 January 1832. By age 5 he was a prodigy artist, creating drawings that were mature beyond his years. Seven years later, he began carving in stone. [ citation needed ]  At the age of 15, Doré began his career working as a caricaturist for the French paper  Le journal pour rire . [2]  Wood-engraving was his primary method at this time. [3]  In the late 1840s and early 1850s, he made several  text comics , like  Les Travaux d'Hercule  (1847),  Trois artistes incompris et mécontents  (1851),  Les Dés-agréments d'un voyage d'agrément  (1851) and  L'Histoire de la Sainte Russie  (1854). Doré subsequently went on to win commissions to depict scenes from books by  Cervantes ,  Rabelais ,  Balzac ,  Milton , and  Dante .

  He was  knighted  for artistic achievements in 1893. Tenniel is remembered mainly as the principal political cartoonist for  Punch  magazine for over 50 years and for his illustrations to  Lewis Carroll 's  Alice's Adventures in Wonderland  (1865) and  Through the Looking-Glass, and What Alice Found There  (1871).

  He made his debut in the magazines   (À suivre) ,   Le Journal de Tintin   and   Heavy Metal . In 2001 he won de   Prix Bonnet d’âne   [1]   at the comic festival   Quai des Bulles   in   Saint-Malo   (France) for his entire oeuvre. This includes that he may draw the poster for the next festival. His genre series include Arq, Cromwell Stone, Cyrrus,  Rork  and its spin-off, Capricorne, as well as a number of single works such as La Caverne du Souvenir (The Cave of Memory), Coutoo, Dérives (Adrift), Aztèques, and Révélations Posthumes (Posthumous Revelations). [2]

  He is known for his  Arthur Rackham -influenced fairy-tale style and use of  silhouetted  figures with  caricatured  faces. Tenggren was a chief illustrator for  The Walt Disney Company  in the late 1930s, in what has been called  the Golden Age of American animation , when  animated   feature films  such as  Snow White and the Seven Dwarfs ,  Fantasia ,  Bambi  and  Pinocchio  were produced. https://illustratorslounge.com/childrens-books/gustaf-tenggren-1896-1970/

Lawson Wood , sometimes  Clarence Lawson Wood , (23 August 1878 – 26 October 1957), was an English painter, illustrator and designer known for humorous depictions of cavemen and dinosaurs, policemen, and animals, especially a chimpanzee called Gran'pop, whose annuals circulated around the world. Wood was decorated by the French for his gallantry at  Vimy Ridge  during  World War I . He was deeply concerned with animal welfare and was awarded membership in the  Royal Zoological Society  in 1934. His animal designs were reproduced as wooden toys and he established a sanctuary for aged creatures. In his later years, he was a recluse and died in  Devon  in 1957.

Einar Nerman  (6 October 1888 in  Norrköping  – 30 March 1983  Lidingö ) was a  Swedish  artist. He was born and grew up in middle-class family in the working-class city of  Norrköping  and was the younger brother of the Swedish  Communist  leader  Ture Nerman . Einar Nerman also had a twin brother,  Birger Nerman , who was an  archeologist .