Passa ai contenuti principali

Alexandre de Riquer i Ynglada,

 7th Count of Casa Dávalos (Catalan pronunciation: [ələkˈsandɾə ðə riˈke]) (Born 3 May 1856 - 13 November 1920), was a versatile artist intellectual and Catalan designer, illustrator, painter, engraver, writer and poet. He was one of the leading figures of Modernisme in Catalonia.


He entered the world of publishing through the guidance of his friend, writer and illustrator Apel-les Mestres. "In 1876, Riquer took over some of his work on ornamental lettering and cover illustration," which led to a collaborative publishing work which brought great impact on Riquer's creative activity.[3] By 1879, he is becoming known in the art world.

The diversification of his work continued in the following years by designing jewelry, programs, furniture decoration and ceramic painting. In the year 1894, he was introduced to the movement of the pre-Raphaelites. His first trip to London in 1894 is where he "discovered modern poster and that the idea of propagating the form was embraced as a missionary undertaking. The artist's view of his role in [Barcelona]: Posters! Why, ever since I saw the first of the new posters the thing tempted me so strongly that I offered to do tradesmen's posters her for nothing; not one would listen to me..[4] Two of his posters were published in Les Maîtres de l'Affiche.

English art and Japanese art would cause a great influence on his creations. Riquer distinguished himself as a graphic designer with great drawing skills. He made posters, etchings, illustrations in books and magazines, certificates, postcards, stamps, menus, sheet music, business cards and bookplates (which Lluís de Yebra documented 142 articles between 1900 and 1924).

He died in Palma de Mallorca in 1920.[5] "His library and the undispersed part of his collections were acquired after his death by the Barcelona Museums and the National Library of Catalonia."[6]




Commenti

Post popolari in questo blog

Martin Claus, 1880-1956 (at least that's what we think, but it might be not totally correct), german illustrator. We don't know much about his life, we can try to stitch together a timeline of his career from the dates of some of his works

 The earliest example of his illustration is from a 1919 edition of the satirical magazine Meggendorfer Bl ätter, he would have been 31 years old, so it's sure that there are earlier works, but there's no evidence of them. Probably he was employed by the magazine as a staff artist. He had a different range of styles and techniques used all with technical and creative success .

Edward Penfield

  Edward Penfield (June 2, 1866 - February 8, 1925) was an American painter, illustrator, and publicist. Father of the modern poster in the United States. With a style characterized by drawings in vast backgrounds cut out on a light background and text strongly integrated with the image, he is considered one of the pioneers of American graphics. Originally from Brooklyn, he studied art in his hometown and around 1890 took painting lessons from the impressionist George de Forest Brush. From 1891 to 1901 he was art director of important magazines such as Harper's, Harper's Bazaar and Harper's Weekly for which he also edited the advertising. The works for Harper & Brothers will remain among the most significant of his career.

Heinrich Vogeler

  Heinrich Vogeler (December 12, 1872 – June 14, 1942) was a German painter, designer, and architect, associated with the Düsseldorf school of painting. He was born in Bremen, and studied at the Kunstakademie Düsseldorf from 1890–95. His artistic studies during this period included visits to Belgium and Italy. Vogeler was a central member of the original artist colony in Worpswede, which he joined in 1894. In 1895 Vogeler bought a cottage there and planted many birch trees around it, which gave the house its new name: Barkenhoff (Low German for Birkenhof, or "birch tree cottages"). In 1901, he married Martha Schröder. He made book illustrations in an art nouveau style, and executed decorative paintings for the town hall of Bremen shortly before traveling to Ceylon in 1906. During a trip to Łódź, he studied Maxim Gorky's works, which resulted in the development of a deep sympathy for the working class. This feeling reached further heights when he saw life in the slums