Illustrationintheworld

  Howard V. Brown (1878-1945) is a US illustrator who, even though his sf Illustration represented only a small proportion of his prodigious output, became one of the Big Four sf illustrators of the 1930s (with Leo Morey, Frank R Paul and H W Wesso). He received his formal art education at Chicago's Art Institute and became based in New York. Among the books that he illustrated during his early career were all six volumes of Katharine Elizabeth Dopp's educational Industrial and Social History series about our prehistoric ancestors, beginning with The Tree Dwellers (1904). He was cover artist for Scientific American circa 1913-1931, typically showing human figures dwarfed by gigantic technological projects. Starting with a simple, almost primitive style, Brown rapidly developed into one of the most dramatic cover illustrators of that era. His first cover for an SF Magazine proper was for the October 1933 issue of Astounding, the magazine having just been bought by Street ...

  Virgil Finlay (July 23, 1914 – January 18, 1971) was an American pulp fantasy, science fiction and horror illustrator. He has been called "part of the pulp magazine history ... one of the foremost contributors of original and imaginative art work for the most memorable science fiction and fantasy publications of our time." While he worked in a range of media , from gouache to oils, Finlay specialized in, and became famous for, detailed pen-and-ink drawings accomplished with abundant stippling, cross-hatching, and scratchboard techniques. Despite the very labor-intensive and time-consuming nature of his specialty, Finlay created more than 2600 works of graphic art in his 35-year career. The Science Fiction Hall of Fame inducted Finlay in 2012.

  Currently based in Scotland he has been working professionally as an illustrator since 2014. He has worked with a wide variety of clients on projects spanning comics to concept design on films. Having spent a number of years in Japan in a previous life as a teacher its influence tends to find its way into my work quite frequently. With a great love of things science, tech and sci-fi my creative imagination seems to be firmly captured with ideas about the future. The grit and grime of the cyberpunk genre has been a much returned to theme in my illustrations. He grew up loving the lived in worlds of Blade Runner, Alien, Star Wars and all the films that utilized the “used future” aesthetic where every object has a history. My work tends to be layered with details that when examined can tell more of a story and even recontextualize what you saw before. He want the viewer to see new things when they return to the image a second, third or fourth time. Clear inspirations that can b...

  Max Prentis is a freelance illustrator specializing in character-driven digital and ink illustrations. He’s a Sydney born ( currently based in London ,UK ) and e ncouraged by his parents, he has carried on his passion for drawing since he was a child and studied illustration. After graduating he started sharing his work on social media and in 2016 he started his own business. Max has collaborated with brands such as Intel, Google, Nike and Avex, as well as animation studios such as Goldenwolf, Cartoon Network and Nexus. He also assisted musician Tokimonsta's in the making of her Grammy nominated album "Lune Rouge". Max is ispired by pop culture, cartoons and comics.

 

  His credits include Richard Linklater's animated adaptation of Philip K. Dick's A Scanner Darkly, and the critically acclaimed 2015 reboot of classic adventure game King's Quest, along with a growing catalog of covers and anthology collections for Dark Horse, Boom! Studios, Titan Books, and many more. He currently lives and works in Los Angeles. site  https://www.evancagle.com/

  He made his debut in the magazines   (À suivre) ,   Le Journal de Tintin   and   Heavy Metal . In 2001 he won de   Prix Bonnet d’âne   [1]   at the comic festival   Quai des Bulles   in   Saint-Malo   (France) for his entire oeuvre. This includes that he may draw the poster for the next festival. His genre series include Arq, Cromwell Stone, Cyrrus,  Rork  and its spin-off, Capricorne, as well as a number of single works such as La Caverne du Souvenir (The Cave of Memory), Coutoo, Dérives (Adrift), Aztèques, and Révélations Posthumes (Posthumous Revelations). [2]

  Foster is best known for his comic book covers ( DC Comics ,   Dark Horse Comics ) and other works featured in   Dungeons & Dragons   and   Alternity . Jon Foster studied illustration at the  Rhode Island School of Design  and graduated in 1989. [1]  His paintings are oils on canvas and are known to have a dark or muted color palette. Typically, they incorporate subject matter like good vs. evil, anger, and adventure. Before a project is complete, Foster  scans  his paintings into a computer to add  digital  effects. Earlier in his career, Jon collaborated with artists such as  Rick Berry  and  Dave Dorman  (well known  Star Wars  artist). Foster has illustrated cards for the  Magic: The Gathering  collectible card game. Some of his achievements include multiple awards from the prestigious Spectrum sci-fi and fantasy art publications. [1] Jon lives in  Providence, Rhode Island ...

  He first came into prominence in the late 1960s working on the anime adaptation of  Speed Racer . Amano later became the creator of iconic and influential characters such as  Gatchaman ,  Tekkaman: The Space Knight ,  Hutch the Honeybee  and  Casshan . In 1982 he went independent and became a freelance artist, finding success as an illustrator for numerous authors, and worked on best-selling novel series, such as  The Guin Saga  and  Vampire Hunter D . He is also known for his commissioned illustrations for the popular video game franchise  Final Fantasy . [2] https://www.instagram.com/yoshitaka_amano/ https://www.yoshitakaamano.com/

Jeffrey Catherine Jones  (January 10, 1944 – May 19, 2011) [1]  was an American artist whose work is best known from the late 1960s through the 2000s. Jones provided more than 150 covers for many different types of books through 1976, as well as venturing into fine art during and after this time. Fantasy artist  Frank Frazetta  called Jones "the greatest living painter". [2]  Although Jones first achieved fame as simply  Jeff Jones  and lived for a time as male, she later changed her name and was legally recognized as female.