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Joseph Christian Leyendecker (March 23, 1874 – July 25, 1951)

Joseph Christian Leyendecker (March 23, 1874 – July 25, 1951) was a German-American illustrator. He is considered to be one of the preeminent American illustrators of the early 20th century. He is best known for his poster, book and advertising illustrations, the trade character known as The Arrow Collar Man, and his numerous covers for The Saturday Evening Post.[1][2] Between 1896 and 1950, Leyendecker painted more than 400 magazine covers. During the Golden Age of American Illustration, for The Saturday Evening Post alone, J. C. Leyendecker produced 322 covers, as well as many advertisement illustrations for its interior pages. No other artist, until the arrival of Norman Rockwell two decades later, was so solidly identified with one publication.[3] Leyendecker "virtually invented the whole idea of modern magazine design."[4]


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Martin Claus, 1880-1956 (at least that's what we think, but it might be not totally correct), german illustrator. We don't know much about his life, we can try to stitch together a timeline of his career from the dates of some of his works

 The earliest example of his illustration is from a 1919 edition of the satirical magazine Meggendorfer Bl ätter, he would have been 31 years old, so it's sure that there are earlier works, but there's no evidence of them. Probably he was employed by the magazine as a staff artist. He had a different range of styles and techniques used all with technical and creative success .
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Edward Penfield

  Edward Penfield (June 2, 1866 - February 8, 1925) was an American painter, illustrator, and publicist. Father of the modern poster in the United States. With a style characterized by drawings in vast backgrounds cut out on a light background and text strongly integrated with the image, he is considered one of the pioneers of American graphics. Originally from Brooklyn, he studied art in his hometown and around 1890 took painting lessons from the impressionist George de Forest Brush. From 1891 to 1901 he was art director of important magazines such as Harper's, Harper's Bazaar and Harper's Weekly for which he also edited the advertising. The works for Harper & Brothers will remain among the most significant of his career.
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Heinrich Vogeler

  Heinrich Vogeler (December 12, 1872 – June 14, 1942) was a German painter, designer, and architect, associated with the Düsseldorf school of painting. He was born in Bremen, and studied at the Kunstakademie Düsseldorf from 1890–95. His artistic studies during this period included visits to Belgium and Italy. Vogeler was a central member of the original artist colony in Worpswede, which he joined in 1894. In 1895 Vogeler bought a cottage there and planted many birch trees around it, which gave the house its new name: Barkenhoff (Low German for Birkenhof, or "birch tree cottages"). In 1901, he married Martha Schröder. He made book illustrations in an art nouveau style, and executed decorative paintings for the town hall of Bremen shortly before traveling to Ceylon in 1906. During a trip to Łódź, he studied Maxim Gorky's works, which resulted in the development of a deep sympathy for the working class. This feeling reached further heights when he saw life in the slums
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